{"id":18,"date":"2012-07-28T19:18:35","date_gmt":"2012-07-28T19:18:35","guid":{"rendered":"http:\/\/www.learnpianowithrosa.com\/pianotechniques\/?p=18"},"modified":"2012-08-03T04:50:31","modified_gmt":"2012-08-03T04:50:31","slug":"new-course-reharmonization-method-3","status":"publish","type":"post","link":"https:\/\/www.learnpianowithrosa.com\/pianotechniques\/2012\/07\/28\/new-course-reharmonization-method-3\/","title":{"rendered":"New Course – Reharmonization Method 3"},"content":{"rendered":"

\"Reharmonization<\/a><\/p>\n

 <\/p>\n

REHARMONIZATION METHOD 3<\/strong><\/p>\n

Have you ever wondered how you could easily reharmonize a song with good sounding bassline chord progressions moving in stepwise or in chromatic movement without trial and error?<\/p>\n

In this Reharmonization Method 3, I present to you a method whereby you can easily find chords to help you move your chords in a smooth bassline without thinking too hard on using \u2018chord inversions\u2019.<\/strong><\/p>\n

This method of Reharmonization is called the minor 3rd<\/sup> (m3) chord substitutions to 2-5 chord progressions.<\/strong><\/p>\n

This is another quick method to help us harmonize a song with\u00a0 contemporary sounding chords that are outside the key of C.<\/p>\n

 <\/p>\n

In Reharmonization Method 2: <\/strong>we learned the 2-5 Power Chord method.\u00a0 In applying this 2-5 method, we are able to reharmonize a song with good sounding chords without trial and error.\u00a0 2-5 works great when we\u00a0 reharmonize a song with 2 different chords per bar.<\/p>\n

Now<\/strong>, we want to make use of the 2-5-1<\/strong> chord progression to find other contemporary chords substitutions<\/strong>.<\/p>\n

Why use these extra contemporary chords?<\/h3>\n