{"id":497,"date":"2012-12-17T16:11:48","date_gmt":"2012-12-17T16:11:48","guid":{"rendered":"http:\/\/www.learnpianowithrosa.com\/pianotechniques\/?p=497"},"modified":"2013-11-03T12:50:32","modified_gmt":"2013-11-03T12:50:32","slug":"reharmonization-method-1-kit-7-morning-has-broken","status":"publish","type":"post","link":"https:\/\/www.learnpianowithrosa.com\/pianotechniques\/2012\/12\/17\/reharmonization-method-1-kit-7-morning-has-broken\/","title":{"rendered":"Reharmonization Method 1 Kit 7 – Morning Has Broken"},"content":{"rendered":"

<\/a><\/p>\n

Reharmonization Kit 7 <\/strong><\/span><\/span><\/span><\/h2>\n

Morning Has Broken<\/strong><\/span><\/span><\/span><\/h2>\n

\"Reharmonization<\/a><\/p>\n

\"Reharmonization<\/a><\/p>\n

 <\/p>\n

To take your piano playing to the performance level, learn to play beautiful endings <\/strong>so as to leave a memorable experience to your audience. This Kit will provide a variety of ways to help you creatively arrange the ending of a song. Explore how you can keep your audience in suspense by delaying the final resolution to the tonic chord. Add to your bag of tricks by spicing up your endings with dreamy chords<\/strong>: Fm, Ab7, Bb7, Ddim7, Csus, Csus2<\/strong>. <\/span>You\u2019ll learn how to make good use of plagal cadence<\/strong>, Am deceptive cadence<\/strong>, suspension resolution<\/strong>, echo ending, climax ending, Flatted 6th<\/sup> Cadence, and ending on the 3rd<\/sup> tone<\/strong>. Once you learn how to end a tune with different types of chord progressions, you can also improvise on these ideas to do creative introductions to set the mood and style of a song. Some very simple standard introductions and lead-ins are also taught in this Kit.<\/p>\n

Understanding Chord Progressions:<\/strong><\/h3>\n

You will learn how to play by ear using the following chord progressions. The following are some chord progressions you will learn in this song:<\/p>\n

    \n
  • Am7 Dm7 G7 F C<\/li>\n
  • C Em7 Am7 G7 Dm7 G7 C<\/li>\n
  • C F C<\/li>\n
  • F Fm C<\/li>\n
  • F Em7 Am7 Dm7 G7<\/li>\n
  • F Dm7 G7 C<\/li>\n
  • C D7 G7 C<\/li>\n
  • Am7 D7 G7<\/li>\n
  • Em7 A7 Am7 G7 C6\/9<\/li>\n
  • Am7 D7 G7b9 G7<\/li>\n
  • Am7 D7 G13<\/li>\n
  • G7b9 C7b9 FM7 F6<\/li>\n
  • C D7b9 G7b9<\/li>\n
  • C C#dim7 D7 G7b9<\/li>\n
  • F F#dim7 C\/G<\/li>\n
  • C Am7 D7 G+<\/li>\n
  • A7 D11 D+ G7 G+<\/li>\n
  • C Em7 A7sus A7 D11<\/li>\n
  • D7 G7sus G7<\/li>\n
  • C7sus C7 F<\/li>\n
  • G7 Am7 Dm7 D7 G7 C<\/li>\n
  • G7 Ab Bb9 C<\/li>\n
  • G7 Ab Fm Ddim7\/G C<\/li>\n
  • G7 Ab Fm Csus C<\/li>\n
  • G7 E7 Am G7 C<\/li>\n<\/ul>\n